The Art of Motion: Drew Tetz Brings Vinyl Records to Life Through Zoetrope Animation
In this episode of BESPOKEN, host Scott Pollack speaks with Drew Tetz, a graphic designer whose Zoetrope vinyl record creations magically blend art, science, and animation. The conversations dives into Tetz’s creative and collaborative process, among other topics. Additionally, we discuss Tez’s work on John Lennon’s Grammy-award-winning Mind Games box set, and collaborations with Enjoy The Ride Records and Sacred Bones Records. In short, whether you’re an art enthusiast, a vinyl collector, or simply curious about the magic of motion, this conversation is a must-listen. Watch the full episode above or stream it wherever you get your podcasts.
The Intersection of Art and Science
Drew Tetz’s work perfectly illustrates how art and science converge to create something extraordinary. Zoetropes, one of the oldest forms of motion picture technology, rely on precise mathematical calculations to synchronize spinning images with strobe lights or camera frame rates. For example, when Tetz was just starting, he admits he was “very bad at math.” However, his determination and DIY spirit have allowed him to master the craft through trial and error. His process is a testament to the idea that creativity often thrives at the intersection of disciplines, blending technical precision with artistic vision.
“I kind of just brute forced my way through the numbers… I’m not too proud to admit I stumbled my way through it.”
The Evolution of Zoetrope Art
Zoetropes date back to the 1800s, predating even flip books, and Tetz is quick to acknowledge the rich history behind the medium. While his work often involves modern tools like laser cutters and 3D printers, above all he draws inspiration from pioneers like Kevin Foakes (DJ Food) and John Edmark. Tetz’s projects range from vinyl records and slip mats to larger installations, proving that zoetropes are far from a relic of the past. Instead, they’re a dynamic art form that continues to evolve with technology.
“The zoetrope is technically the oldest form of motion picture… it’s like prehistoric animation.”
Collaboration and Creative Constraints
One of the most fascinating aspects of Tetz’s work is his collaborative process. For example, whether he’s working with indie labels like Sacred Bones Records or iconic artists like John Lennon’s estate, Tetz thrives on creative constraints. He enjoys taking existing visual elements—like album art or archival footage—and transforming them into animated masterpieces. This collaborative approach not only challenges him to think outside the box but also ensures that his work complements the music it accompanies.
Music and Visual Synergy
For Tetz, it’s clear that music and visuals are inseparable. For instance, he’s particularly drawn to psychedelic and experimental genres, where the interplay between sound and image can create otherworldly experiences. Projects like the Lost Films collaboration with John Carpenter showcase how Zoetropes can enhance the storytelling power of music. In Conclusion, Tetz’s work reminds us that album art isn’t just a static image—it’s an extension of the music itself, capable of adding depth and dimension to the listening experience.
Join us every month for a new episode of BESPOKEN, the podcast where we delve into the world of independent music and physical media culture.
In each episode, your host, Scott Pollack (President of A to Z media), speaks with industry experts and dedicated creators who bring music to life in every format imaginable. For 30 years, A to Z Media has worked with countless record labels and artists to meet their manufacturing and printing requirements. We hope that these conversations will educate, entertain, and inspire you.